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Guitar playing consists of 19 basic moves, once you know how perform these basic skills you are ready to play anything on guitar. The importance of being able to recognise and perform these moves cannot be over emphasised as they are the foundations of being able to play by ear and developing your own individual style on guitar.
This article will focus on one of the most common guitar moves: the hammer-on.
Hammer-On's
The concept is to have your left hand fingers play extra notes that do not require any additional right hand picking (assuming you are a right-handed player). This produces a smooth melodic sound, very much like a vocalist or wind instrument such as a saxophone.
The technique is very simple: When you pick a note the string vibrates the entire remaining length of the string (if you look closely at the tick strings you will see these strings vibrating) the idea is to select another note on the sane string and hammer-down (hammer-on) to the desired note, with a strong hammer-like action. This produces another tone, higher in pitch, without requiring any right-hand move. Thus you are able to get two or more notes for the price of one picking stroke.
Another way to think of this 'hammer-on' action is to visualise the action of the little hammers striking the strings inside a piano.
Practising the hammer-on technique:
Strike first note with first finger. Hold this note and while the string is still vibrating place your second finger down firmly on the second fret. This will cause the pitch of the note to change resulting in a second note being heard without having to pluck the string with your right hand.
And now I'd like to invite you to get free access to my "How To Remember 1,000 Songs" eCourse. You can download the course for free at: http://www.guitarcoaching.com
From Mike Hayes - The Guitar Coaching Guy & the Express Guitar System
This article will focus on one of the most common guitar moves: the hammer-on.
Hammer-On's
The concept is to have your left hand fingers play extra notes that do not require any additional right hand picking (assuming you are a right-handed player). This produces a smooth melodic sound, very much like a vocalist or wind instrument such as a saxophone.
The technique is very simple: When you pick a note the string vibrates the entire remaining length of the string (if you look closely at the tick strings you will see these strings vibrating) the idea is to select another note on the sane string and hammer-down (hammer-on) to the desired note, with a strong hammer-like action. This produces another tone, higher in pitch, without requiring any right-hand move. Thus you are able to get two or more notes for the price of one picking stroke.
Another way to think of this 'hammer-on' action is to visualise the action of the little hammers striking the strings inside a piano.
Practising the hammer-on technique:
Strike first note with first finger. Hold this note and while the string is still vibrating place your second finger down firmly on the second fret. This will cause the pitch of the note to change resulting in a second note being heard without having to pluck the string with your right hand.
And now I'd like to invite you to get free access to my "How To Remember 1,000 Songs" eCourse. You can download the course for free at: http://www.guitarcoaching.com
From Mike Hayes - The Guitar Coaching Guy & the Express Guitar System
One great music style has begun to emerge from the African-American communities in the Deep South of the United States during the end of the 19th century. This music was very popular among slaves and prisoners. It has a lot of inspirations, such as work songs, field hollers and yes-- even chants and shouts. This music style has become to be known as the Blues. According to a popular legend, the first Blues song, printed and documented in 1912 was written by Christopher Handy-- a bandleader and a cornet player. The song's title was Yellow Dog Blues.
The Blues has become very popular the world over. It was played in many nations, and it has captures the hearts of many nationalities. The Blues music genre made a lot of aspiring musicians want to learn the blues guitar. The guitar and the Blues music are inseparable. They can't be separated. The best instruments to go with the Blues are the electric and the acoustic guitars. Thick strings are highly recommended as they give better tones and sustainability when compared to nylon strings.
When it comes to the Blues, most songs are played following the 12 bar rule. This simply means that a Blues songs is divided into 12 patterns and a given chord sequence. If you're seriously interested in learning the Blues, then you definitely have to learn this beat. Don't worry; it's very easy to learn. This form is repeated over and over until the end of the song. Before proceeding to elaborate strumming and other variations, it's recommended that one gets familiar with the single down strum for each beat first.
More often than not, the Blues are made up of major chord structures. This doesn't mean though that one can't try different scales to make Blues more colorful. These scales include major and minor pentatonic, mixolydian and dorian. You can use these individually and you can also use them together.
In order to learn blues guitar more effectively, one would need to learn three basic rhythms. These are the twelve/ eight feel, shuffle feel and the straight feel.
The twelve/ eight rhythm is consist of twelve beats per bar, where each eighth note makes one beat. The straight feel, on the other hand, is where the eighth note is used and spaced equally apart and the shuffle feel is where the second note is placed for every eighth note.
It is also important for one to learn techniques when playing the Blues, and one of the most important techniques is called the Vibrato. This can be obtained by slightly changing the pitch of a note to a higher one, and then pulling the pitch back to the original tone by changing the string's tension.
Riffs are used for filling the chords with turnarounds, melodic figures, endings and intros. Turnarounds makes solos complete by being played on the last two bars, and it usually points the song back to the beginning. Some turnarounds also make wonderful song intros and endings.
There is no one trick to masterfully learn blues guitar. It will take constant practice if you really want to be good at it. No matter what advertisements for ebooks and videos promise, nothing compares to dedication and perseverance.
For More Information On Acoustic Guitar and How To Play Like A Pro PLUS There Is Lots More To Help You Learn Guitar Fast
The Blues has become very popular the world over. It was played in many nations, and it has captures the hearts of many nationalities. The Blues music genre made a lot of aspiring musicians want to learn the blues guitar. The guitar and the Blues music are inseparable. They can't be separated. The best instruments to go with the Blues are the electric and the acoustic guitars. Thick strings are highly recommended as they give better tones and sustainability when compared to nylon strings.
When it comes to the Blues, most songs are played following the 12 bar rule. This simply means that a Blues songs is divided into 12 patterns and a given chord sequence. If you're seriously interested in learning the Blues, then you definitely have to learn this beat. Don't worry; it's very easy to learn. This form is repeated over and over until the end of the song. Before proceeding to elaborate strumming and other variations, it's recommended that one gets familiar with the single down strum for each beat first.
More often than not, the Blues are made up of major chord structures. This doesn't mean though that one can't try different scales to make Blues more colorful. These scales include major and minor pentatonic, mixolydian and dorian. You can use these individually and you can also use them together.
In order to learn blues guitar more effectively, one would need to learn three basic rhythms. These are the twelve/ eight feel, shuffle feel and the straight feel.
The twelve/ eight rhythm is consist of twelve beats per bar, where each eighth note makes one beat. The straight feel, on the other hand, is where the eighth note is used and spaced equally apart and the shuffle feel is where the second note is placed for every eighth note.
It is also important for one to learn techniques when playing the Blues, and one of the most important techniques is called the Vibrato. This can be obtained by slightly changing the pitch of a note to a higher one, and then pulling the pitch back to the original tone by changing the string's tension.
Riffs are used for filling the chords with turnarounds, melodic figures, endings and intros. Turnarounds makes solos complete by being played on the last two bars, and it usually points the song back to the beginning. Some turnarounds also make wonderful song intros and endings.
There is no one trick to masterfully learn blues guitar. It will take constant practice if you really want to be good at it. No matter what advertisements for ebooks and videos promise, nothing compares to dedication and perseverance.
For More Information On Acoustic Guitar and How To Play Like A Pro PLUS There Is Lots More To Help You Learn Guitar Fast
Just imagine - you are on stage, the drums are beating and you're on for that iconic guitar solo. All eyes are on you! This is your chance to shine. This has been your dream for many years. All the hard work, blood sweat and tears come down to this moment. The crowd go wild...
In order for you to have reached this moment you will have dedicated many hours to your art and to learn guitar solo perfectly. You are probably in a rock band where these solos are waited with baited breath by your fans. However, guitar solos are also a key part to jazz, blues and even classical. This solo is basically a number of improvisations. You are prepared.
To play a solo with confidence you must get the basics right. Firstly you need to learn your scales - pentatonic, major and minor. Scales are placed into solos and form an integral part of the solo. So practice them. Once you have mastered them you can then start to add your own improvisations. Maybe combine one scale with another, but start by practicing the scales going froward and backwards - use alternate picking. Experiment, have fun and see what works!
There are some techniques to be learnt that will add to your solo - such as vibrato. You could use it at the beginning of a solo but try delaying it and just play naturally and effortlessly at the start of your solo, then incorporate some vibrato.
To add further dimension to your play try bending whilst playing arpeggio and scales. Try double picking for something more unusual. Basically try everything - there are no rules. The more creative you get and the more unique and individual you can be the more the audience will love it.
Technique is key. You must have a good one. Sometimes less is more. If you play a simple solo but play it incredibly well that can be far more impressive than a harder solo which isn't delivered well. Improvisation lets you approach in two ways - the vertical or horizontal approach.
The horizontal approach, the guitarist will follow the scale currently being played whist in the vertical approach; the guitarist will follow the chord being played.
To learn guitar solos and become a legend requires dedication and constant practice. Teach yourself as many tricks as possible. Practice tabs from your idol and inspirational guitarists, but also listen carefully to music, copy things you've heard and mimic their tricks and ideas, then throw some of your own in.
Above all get creative, use your imagination and have fun!
For More Information On Acoustic Guitar and How To Play Like A Pro PLUS There Is Lots More To Help You Learn Guitar Fast
In order for you to have reached this moment you will have dedicated many hours to your art and to learn guitar solo perfectly. You are probably in a rock band where these solos are waited with baited breath by your fans. However, guitar solos are also a key part to jazz, blues and even classical. This solo is basically a number of improvisations. You are prepared.
To play a solo with confidence you must get the basics right. Firstly you need to learn your scales - pentatonic, major and minor. Scales are placed into solos and form an integral part of the solo. So practice them. Once you have mastered them you can then start to add your own improvisations. Maybe combine one scale with another, but start by practicing the scales going froward and backwards - use alternate picking. Experiment, have fun and see what works!
There are some techniques to be learnt that will add to your solo - such as vibrato. You could use it at the beginning of a solo but try delaying it and just play naturally and effortlessly at the start of your solo, then incorporate some vibrato.
To add further dimension to your play try bending whilst playing arpeggio and scales. Try double picking for something more unusual. Basically try everything - there are no rules. The more creative you get and the more unique and individual you can be the more the audience will love it.
Technique is key. You must have a good one. Sometimes less is more. If you play a simple solo but play it incredibly well that can be far more impressive than a harder solo which isn't delivered well. Improvisation lets you approach in two ways - the vertical or horizontal approach.
The horizontal approach, the guitarist will follow the scale currently being played whist in the vertical approach; the guitarist will follow the chord being played.
To learn guitar solos and become a legend requires dedication and constant practice. Teach yourself as many tricks as possible. Practice tabs from your idol and inspirational guitarists, but also listen carefully to music, copy things you've heard and mimic their tricks and ideas, then throw some of your own in.
Above all get creative, use your imagination and have fun!
For More Information On Acoustic Guitar and How To Play Like A Pro PLUS There Is Lots More To Help You Learn Guitar Fast
Learning to play a guitar is an exciting adventure. There are thousands of different resources for a beginning musician to use for their learning process. Many people take a class, whether it is in a local setting or by using online websites. There are also compact discs available for the individual to listen to the music they are learning to play. Videos are another tool that is often used. Another popular tool is a book for guitar.
There are thousands of books available on learning to play to guitar. These books range from beginner to advanced lessons. These materials offer many different tools that are useful for any guitarist. This includes chord charts, sheet music, and tips on proper techniques while playing.
Books also provide other information for a musician. This information includes the history of guitars. Learning the history behind these instruments can help a musician to understand and appreciate this musical tool better. Many people also find the history to be fascinating, whether they play or not.
There are also books available that explain how a guitar is made. These printed materials also describe the materials that are used to make a quality instrument. This information is not necessary to learn to play the guitar. However, it makes for fascinating reading for the interested individuals. It may even inspire an individual to learn to make these items.
Many people find that they only need to read the available printed material in order to learn the skills they desire. These individuals find that books are the best options available in their quest to play the guitar. Having hundreds of choices to choose from means they will never run out of materials to use.
Books can be purchased through many different businesses. Many books stores have a selection of printed material for learning to play musical instruments. Stores that sell musical instruments also usually offer large selections of books with sheet music and chord charts for musicians. Libraries are another good source to find these items. However, the drawback with libraries that is that they must be returned within a short amount of time. Hundreds of websites also offer these printed materials for guitarists for sale too.
The prices for these items will vary depending on different factors. Used book stores, thrift shops, and garage sales are a great way to find these books for cheaper prices. The only drawback to using these avenues is the books are typically not in great condition. Many musicians write notes and other notations in their books for future reference.
One of the more popular ways to learn to play is by getting a book for guitar. These items can help an individual learn different tricks on playing different notes, chords, songs, and other tunes on their musical instrument. They can also help teach an individual the history of the instrument. Most musicians find that books are essential to their learning experience. This is true whether the individual is a beginner or is an advanced player.
With this kind of resources about how to play and learn guitar you'll play like a pro, but if you really want to Play Guitar as a Pro then you must check this Proven Guitar Learning System!
Act now and get access immediately to this amazing Guitar System!
There are thousands of books available on learning to play to guitar. These books range from beginner to advanced lessons. These materials offer many different tools that are useful for any guitarist. This includes chord charts, sheet music, and tips on proper techniques while playing.
Books also provide other information for a musician. This information includes the history of guitars. Learning the history behind these instruments can help a musician to understand and appreciate this musical tool better. Many people also find the history to be fascinating, whether they play or not.
There are also books available that explain how a guitar is made. These printed materials also describe the materials that are used to make a quality instrument. This information is not necessary to learn to play the guitar. However, it makes for fascinating reading for the interested individuals. It may even inspire an individual to learn to make these items.
Many people find that they only need to read the available printed material in order to learn the skills they desire. These individuals find that books are the best options available in their quest to play the guitar. Having hundreds of choices to choose from means they will never run out of materials to use.
Books can be purchased through many different businesses. Many books stores have a selection of printed material for learning to play musical instruments. Stores that sell musical instruments also usually offer large selections of books with sheet music and chord charts for musicians. Libraries are another good source to find these items. However, the drawback with libraries that is that they must be returned within a short amount of time. Hundreds of websites also offer these printed materials for guitarists for sale too.
The prices for these items will vary depending on different factors. Used book stores, thrift shops, and garage sales are a great way to find these books for cheaper prices. The only drawback to using these avenues is the books are typically not in great condition. Many musicians write notes and other notations in their books for future reference.
One of the more popular ways to learn to play is by getting a book for guitar. These items can help an individual learn different tricks on playing different notes, chords, songs, and other tunes on their musical instrument. They can also help teach an individual the history of the instrument. Most musicians find that books are essential to their learning experience. This is true whether the individual is a beginner or is an advanced player.
With this kind of resources about how to play and learn guitar you'll play like a pro, but if you really want to Play Guitar as a Pro then you must check this Proven Guitar Learning System!
Act now and get access immediately to this amazing Guitar System!
In the present article we will talk about how to construct basic minor and major chords on the guitar. Before we begin we must learn some basic music theory, as this will lay the foundations of learning how to build chords anywhere on the fretboard.
Every basic major or minor chord consists of 3 notes - root, third and fifth. The chord carries the name of its root note, but the root is not always the lowest note, because each chord has chord inversions. Since the guitar chords we're talking about consist of only 3 notes, we have 2 chord inversions in total or 3 different ways to play each chord. Now, what makes the major and minor chords essentially different is the third. You have probably heard the terms "minor third" and "major third". Basically said a minor third (used for building minor chords) is an interval between the root and the third that equals to 3 semitones (or 3 frets on the guitar), while the major third (used for building minor chords) equals to 4 semitones (or 4 frets). The fifth is the same for both types and it equals to an interval of 7 semitones from the root.
So, if you want to build a chord, first determine which note you want take as root and where are you want to position it related to the other two notes. Let's illustrate this with several examples that will hopefully help you understand the music theory discussed above.
We will take the note A as a root, build a minor chord and then all of its inversions. First of all let's determine which notes we need in order to build the chord. Since we're going to build a minor chord, we will need the minor third and the fifth. The minor third from A is C (the distance between A and C is 3 frets) and the fifth is E (the distance between A and E is 7 frets). Great, now that we know the notes, we can build the actual chords.
Every basic major or minor chord consists of 3 notes - root, third and fifth. The chord carries the name of its root note, but the root is not always the lowest note, because each chord has chord inversions. Since the guitar chords we're talking about consist of only 3 notes, we have 2 chord inversions in total or 3 different ways to play each chord. Now, what makes the major and minor chords essentially different is the third. You have probably heard the terms "minor third" and "major third". Basically said a minor third (used for building minor chords) is an interval between the root and the third that equals to 3 semitones (or 3 frets on the guitar), while the major third (used for building minor chords) equals to 4 semitones (or 4 frets). The fifth is the same for both types and it equals to an interval of 7 semitones from the root.
So, if you want to build a chord, first determine which note you want take as root and where are you want to position it related to the other two notes. Let's illustrate this with several examples that will hopefully help you understand the music theory discussed above.
We will take the note A as a root, build a minor chord and then all of its inversions. First of all let's determine which notes we need in order to build the chord. Since we're going to build a minor chord, we will need the minor third and the fifth. The minor third from A is C (the distance between A and C is 3 frets) and the fifth is E (the distance between A and E is 7 frets). Great, now that we know the notes, we can build the actual chords.
Example 1 - A Minor Chord & Inversions
A in root First Inversion Second Inversion A in root, octave up
E||--------------|--------------|--------------|--0---------||
B||--------------|--------------|--1-----------|--1---------||
G||--------------|--2-----------|--2-----------|--2---------||
D||--2-----------|--2-----------|--2-----------|------------||
A||--3-----------|--3-----------|--------------|------------||
E||--5-----------|--------------|--------------|------------||
A-C-E C-E-A E-A-C A-C-E
What if we want to build the major ones? Just use a major third - that's C sharp (C#)
Example 2 - A Major Chord & Inversions
A in root First Inversion Second Inversion A in root, octave up
E||--------------|--------------|--------------|--0---------||
B||--------------|--------------|--2-----------|--2---------||
G||--------------|--2-----------|--2-----------|--2---------||
D||--2-----------|--2-----------|--2-----------|------------||
A||--4-----------|--4-----------|--------------|------------||
E||--5-----------|--------------|--------------|------------||
A-C#-E C#-E-A E-A-C# A-C#-E
Pretty clear, isn't it? Using this principle, you can build basic guitar chords literally anywhere on the fretboard. Just remember to practice these examples changing the root note and the inversion randomly, so that you learn them well. For example, instead of saying "I want to play all B Minor Chords" and playing all the inversions one after another, say to yourself: "I want to play the second inversion of B Minor, after that I want to play D# Minor in root position" etc. and you will see that you will quickly learn all guitar chords.
Erica Mills is a guitar teacher and musician for over 10 years. She loves teaching students with a passion in music on how to play guitar songs. She is passionate about his work and dedicated in helping students achieve their dreams. Visit http://www.bandjammer.com for more guitar song lessons.
A in root First Inversion Second Inversion A in root, octave up
E||--------------|--------------|--------------|--0---------||
B||--------------|--------------|--1-----------|--1---------||
G||--------------|--2-----------|--2-----------|--2---------||
D||--2-----------|--2-----------|--2-----------|------------||
A||--3-----------|--3-----------|--------------|------------||
E||--5-----------|--------------|--------------|------------||
A-C-E C-E-A E-A-C A-C-E
What if we want to build the major ones? Just use a major third - that's C sharp (C#)
Example 2 - A Major Chord & Inversions
A in root First Inversion Second Inversion A in root, octave up
E||--------------|--------------|--------------|--0---------||
B||--------------|--------------|--2-----------|--2---------||
G||--------------|--2-----------|--2-----------|--2---------||
D||--2-----------|--2-----------|--2-----------|------------||
A||--4-----------|--4-----------|--------------|------------||
E||--5-----------|--------------|--------------|------------||
A-C#-E C#-E-A E-A-C# A-C#-E
Pretty clear, isn't it? Using this principle, you can build basic guitar chords literally anywhere on the fretboard. Just remember to practice these examples changing the root note and the inversion randomly, so that you learn them well. For example, instead of saying "I want to play all B Minor Chords" and playing all the inversions one after another, say to yourself: "I want to play the second inversion of B Minor, after that I want to play D# Minor in root position" etc. and you will see that you will quickly learn all guitar chords.
Erica Mills is a guitar teacher and musician for over 10 years. She loves teaching students with a passion in music on how to play guitar songs. She is passionate about his work and dedicated in helping students achieve their dreams. Visit http://www.bandjammer.com for more guitar song lessons.
Practicing guitar scales is a great way to improve your overall guitar technique and to learn to know your fretboard better, but guitar players often don't know exactly what to do with them. We have all seen these fancy scale diagrams here and there, then learned and played some of them ascending and descending and that was it. And then when we try to apply them in real situations, like to build a short improvised guitar lick, while playing a song with a band, we realize that that's all we can do with these scales - play them ascending and descending and nothing more. Now, that's not very original, is it? The idea of scale diagrams is to use them as guidelines to which positions you are "allowed" to press, but you shouldn't just go up and down these patterns. With the following 3 ideas, you will hopefully learn how to use scales the proper way, thus really improving your guitar skills and musical originality.
For all of the examples below, we will use the Locrian mode, assuming that we are in the key of A Minor. That means that we will be using the B Locrian Scale, with its root being located at the 7th fret of the 6th string (low E). Here's the exact scale diagram:
Example 1 - B Locrian Scale Diagram (Ascending)
E||--------------------------------------8-10-12-||
B||------------------------------8-10-12---------||
G||-----------------------7-9-10-----------------||
D||----------------7-9-10------------------------||
A||---------7-8-10-------------------------------||
E||--7-8-10--------------------------------------||
Now, obviously that's how you'll play B Locrian in that boring ascending manner, like you always did. Well, why not playing it like this instead:
Example 2 - B Locrian Variation 1 (16th notes)
E||---------------------------------------|
B||---------------------------------------|
G||---------------------------------------|
D||-------------------------7----9-7-10-9-|
A||-----------7----8-7-10-8---10----------|
E||--8-7-10-8---10------------------------|
--------------------------------8----10-12-|----------------||
----------------8----10-8-12-10---12-------|--10------------||
--7----9-7-10-9---10-----------------------|----------------||
----10-------------------------------------|----------------||
-------------------------------------------|----------------||
-------------------------------------------|----------------||
Now that sounds cool, doesn't it? And that's what you should do with scales - keep changing between the positions. Now did you notice that we ended this lick on the 10th fret of the B string, which is the note A? Well, you probably already know the answer - that's because we're playing in the key of A Minor. Let's have a look at another two interesting ideas.
Example 3 - B Locrian Variaton 2 (16th notes)
E||----------------------------------------|
B||----------------------------------------|
G||----------------------------7-10-7-9-10-|
D||---------------------7-9-10-------------|
A||---------7-10-7-8-10--------------------|
E||--7-8-10--------------------------------|
----------8-12-8-10-12-----------||
--8-10-12--------------10--------||
---------------------------------||
---------------------------------||
---------------------------------||
---------------------------------||
Example 4 - B Locrian Variation 3 (16th notes)
E||---------------------------------------|
B||---------------------------------------|
G||---------------------------------------|
D||---------------------------------------|
A||---------7-8-10-8-7-------------7-8-10-|
E||--7-8-10------------10-8-7-8-10--------|
---------------------------------------|
---------------------------------------|
---------7-9-10-9-7-------------7-9-10-|
--7-9-10------------10-9-7-9-10--------|
---------------------------------------|
---------------------------------------|
----------8-10-12-10-8---------------8-10-12-|--------------||
--8-10-12--------------12-10-8-10-12---------|--10----------||
---------------------------------------------|--------------||
---------------------------------------------|--------------||
---------------------------------------------|--------------||
---------------------------------------------|--------------||
You can apply all of the examples above with any other scale mode of your choice as base. Just remember to use the correct fingering corresponding to the chosen mode and don't forget to apply strict alternate picking throughout the exercises. When you're feeling comfortable playing all of the present examples, you can go ahead and try building your own unique patterns and variations.
Have fun!
Erica Mills is a guitar teacher and musician for over 10 years. She loves teaching students with a passion in music on how to play guitar songs. She is passionate about his work and dedicated in helping students achieve their dreams. Visit http://www.bandjammer.com for more guitar song lessons.
For all of the examples below, we will use the Locrian mode, assuming that we are in the key of A Minor. That means that we will be using the B Locrian Scale, with its root being located at the 7th fret of the 6th string (low E). Here's the exact scale diagram:
Example 1 - B Locrian Scale Diagram (Ascending)
E||--------------------------------------8-10-12-||
B||------------------------------8-10-12---------||
G||-----------------------7-9-10-----------------||
D||----------------7-9-10------------------------||
A||---------7-8-10-------------------------------||
E||--7-8-10--------------------------------------||
Now, obviously that's how you'll play B Locrian in that boring ascending manner, like you always did. Well, why not playing it like this instead:
Example 2 - B Locrian Variation 1 (16th notes)
E||---------------------------------------|
B||---------------------------------------|
G||---------------------------------------|
D||-------------------------7----9-7-10-9-|
A||-----------7----8-7-10-8---10----------|
E||--8-7-10-8---10------------------------|
--------------------------------8----10-12-|----------------||
----------------8----10-8-12-10---12-------|--10------------||
--7----9-7-10-9---10-----------------------|----------------||
----10-------------------------------------|----------------||
-------------------------------------------|----------------||
-------------------------------------------|----------------||
Now that sounds cool, doesn't it? And that's what you should do with scales - keep changing between the positions. Now did you notice that we ended this lick on the 10th fret of the B string, which is the note A? Well, you probably already know the answer - that's because we're playing in the key of A Minor. Let's have a look at another two interesting ideas.
Example 3 - B Locrian Variaton 2 (16th notes)
E||----------------------------------------|
B||----------------------------------------|
G||----------------------------7-10-7-9-10-|
D||---------------------7-9-10-------------|
A||---------7-10-7-8-10--------------------|
E||--7-8-10--------------------------------|
----------8-12-8-10-12-----------||
--8-10-12--------------10--------||
---------------------------------||
---------------------------------||
---------------------------------||
---------------------------------||
Example 4 - B Locrian Variation 3 (16th notes)
E||---------------------------------------|
B||---------------------------------------|
G||---------------------------------------|
D||---------------------------------------|
A||---------7-8-10-8-7-------------7-8-10-|
E||--7-8-10------------10-8-7-8-10--------|
---------------------------------------|
---------------------------------------|
---------7-9-10-9-7-------------7-9-10-|
--7-9-10------------10-9-7-9-10--------|
---------------------------------------|
---------------------------------------|
----------8-10-12-10-8---------------8-10-12-|--------------||
--8-10-12--------------12-10-8-10-12---------|--10----------||
---------------------------------------------|--------------||
---------------------------------------------|--------------||
---------------------------------------------|--------------||
---------------------------------------------|--------------||
You can apply all of the examples above with any other scale mode of your choice as base. Just remember to use the correct fingering corresponding to the chosen mode and don't forget to apply strict alternate picking throughout the exercises. When you're feeling comfortable playing all of the present examples, you can go ahead and try building your own unique patterns and variations.
Have fun!
Erica Mills is a guitar teacher and musician for over 10 years. She loves teaching students with a passion in music on how to play guitar songs. She is passionate about his work and dedicated in helping students achieve their dreams. Visit http://www.bandjammer.com for more guitar song lessons.
What is a great guitar learning DVD? Well when I used to teach guitar I use the Mel Bay method. So I would recommend some Mel Bay they have instruction books and videos and DVDs.
But if you're looking for guitar instruction videos, then don't forget about online video sites like YouTube. There are lots of great guitar players that could have free videos of different styles of guitar for you to download and learn from. To get YouTube channel and create a bookmark of your favorite styles of guitar and how to learn them.
You can also try the John Chapelle guitar DVD. John Chapelle is a great guitar teacher and he can teach you a lot about guitar. But not every teacher will make sense to every student. You have to find the style that motivates you.
So whether you want to learn strumming on the acoustic guitar, or learn solo guitar on the electric, stick with that style and get good at it.
But I would recommend starting out online and looking out for free trials of well-known guitar programs and like I said before free videos on YouTube. But don't get distracted or discouraged that people are so much better than you on guitar.
Just keep thinking about that day when you get good enough to play in your own band or play acoustic guitar by yourself while you're singing. Or playing in that band that you'll start and playing in front of your family and friends and people that you don't even know.
Get important tips now on how to learn guitar and motivation to practice head over to the learn guitar motivation blog: http://practiceandlearnguitar.com/ Make sure to focus and practice every day or you won't make it into your dreams. guitar learning DVD
But if you're looking for guitar instruction videos, then don't forget about online video sites like YouTube. There are lots of great guitar players that could have free videos of different styles of guitar for you to download and learn from. To get YouTube channel and create a bookmark of your favorite styles of guitar and how to learn them.
You can also try the John Chapelle guitar DVD. John Chapelle is a great guitar teacher and he can teach you a lot about guitar. But not every teacher will make sense to every student. You have to find the style that motivates you.
So whether you want to learn strumming on the acoustic guitar, or learn solo guitar on the electric, stick with that style and get good at it.
But I would recommend starting out online and looking out for free trials of well-known guitar programs and like I said before free videos on YouTube. But don't get distracted or discouraged that people are so much better than you on guitar.
Just keep thinking about that day when you get good enough to play in your own band or play acoustic guitar by yourself while you're singing. Or playing in that band that you'll start and playing in front of your family and friends and people that you don't even know.
Get important tips now on how to learn guitar and motivation to practice head over to the learn guitar motivation blog: http://practiceandlearnguitar.com/ Make sure to focus and practice every day or you won't make it into your dreams. guitar learning DVD
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